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(Grand Ancestor)
 
During its ‘great’ years (1936-1940) this association "Pita Maha" achieved to improve the quality of

art to a high level and at the same time each village developed an authentic typical style which became their own.

Style of Batuan
The artists of Batuan, a remote village South of Ubud rich of classical dances and simple village daily life, were keen in their own wash technique using Chinese ink on paper. With different layers they created depth in the drawings and using all space on the surface. Their daily life and beauty of surrounding became the objects of drawings.

Style in Sanur and Denpasar
The main art center of ‘hot spot’ beach Sanur in ‘30s was the shop of the German Neuhaus brothers who had an aquarium in their art shop, which sold paintings from local boys inspired by the submarine life. The artists used to work in a collaborative way in creating artwork, which was done by many people.

As a rapid growing city, Denpasar, had its own artist like I Gusti Made Deblog (1906-1985), who started retouching photos in the studio of the Chinese photography artist, Yap Sin Tin. His ‘realism’ appeared in wash technique on paper like dreamlike fairy world sprouting out Deblog’s imaginations although the subjects were part of Balinese epics.

The Young Artists School of Penestanan
In 1956 a Dutch artist Arie Smit (born in 1916 in The Netherlands) settled down in a village called Penestanan, west of Ubud. His fascination of the simplistic use of materials by young Balinese boys drew him into teaching local boys and provided them with materials. They experimented with mixing colors and simple figures and objects, which resulted in a typical ‘naïve’ style, called ‘The Young Artists’, using simple flat figures with no details filled with spontaneously bright colors and thick contour as to separate the various colors.

The Ubud Style
Before the arrival of Walter Spies and Rudolf Bonnet the artists in Ubud created wayang paintings on commission for the palace. But it changes soon with the Pita Maha association, which guided them and organized their exhibitions. Bonnet became their tutor in selecting objects and materials and soon enough many artists followed Bonnets style of painting, which emphasizes the anatomy of human figures in a natural surrounding.

 
Gallery : Pita Maha 1 
 
 
 
 
Collection :
 
 
- Wayang Style
- Wood Carving
- Pita Maha
- I Gusti Nyoman Lempad
- Modern Balinese Art
Museum Puri Lukisan
Yayasan Ratna Wartha, Ubud - Bali
E-Mail: info@mpl-ubud.com


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